God the Great Magician

I heard the name God 
In passing today.
It surfaced singular, 
Up from the background 
In a steady blur of conversation.
"God."

When I heard God, 
I immediately thought of a magician.  
That's what I automatically do:
I envision
A magician standing on a stage.  
Is that strange?

No matter the context
   Be it at a wedding, 
 A funeral, 
In church
Or on TV...
Or even, as I've said, 
As a single word overheard in a conversation—
When I hear the name God
I see God the Great


There on the stage. 
His suit fits him nicely,
And atop His head,
A black velvet stovetop hat
Blends into his thick, slicked-back hair.
(As is custom, he pulls me from his hat,
But not yet...
Or not today)


He wears a flowing cape, too;
It matches his black shoes,
And his mustache, waxed, 
Points like a tuning fork.


I'm drawn to his dark, dimpled cheeks,
And I swoon in the scent of his cologne.
It smells of 
Honey-tobacco and
Mid-July heat-- 
Late-November burning hickory
And a slight stink of sweat.


This God is antithetical to the masquerader on the 
Sistine Chapel.
And while I don’t tell too many people 
(Because they wouldn’t understand),
Here's the truth:
God, the father, is a 
Byronic hero to me- 
Rebellious and handsome, 
Devilishly clever, and divine.
I’m drawn to 
Him, too.  
Not in a pretend way, either.
He lets me lean into 
His weight. 



If it's theoretically possible that there could be a god,
Then it's theoretically possible that God could be a magician
Who came to this world as
As His abracadabra 
And His only son.

And admittedly,
It is more "trick" than "riddle" for me to say
He is father, husband, and brother to me.
There is no slight of hand.
It is not an illusion,
But rather an allusion
To another era.

He stands on the stage encircled by the glow of lights.
While an audience watches on
In this dinner theater; 
Few are aware.
Most eat their meals and drink their wine
While 
God the 
Great 
performs.




His Lovely Assistant has no other name.  
She stands next to 
Him,
Her ample bosom extending pleasingly.




Her shimmering bathing suit  
Sparkles like stars,
A billion sequined sparkling stars.
She steps carefully into a wooden box
That looks like a coffin on wheels
Already rolled out on the stage.

Once she enters,
She is encased
With her lovely head and feet exposed.
She stares sideways out into the shadows of the audience.



Watch the One become 2!
God the magician pulls out a glimmering, 
Oversized thick-toothed saw.  
He wields it high into the air
And then swings it down with a heavy thud 
Right into the center of the wooden box. 


His lovely assistant winces,
And a vibration fills the room as the saw 
Cuts through the wooden box,
Shredding against the grain.
His lovely assistant screams, 
Though not in fear.

 

God does not stop when she cries out.
He thrusts the blade back and forth
And the box is being torn and shredded.
This is divine division.
She is being cut in two:
He cuts through the wood,
Cuts through the box,
And the sawdust-sprinkles spray
A reddish hue in the stage light mist.

And she howls and screams and coughs up blood.
God continues dividing.
He severs her spine now
And blood,
So much blood
Now on the stage. 
Then, and only then, 
Does the lovely assistant stop her screaming.


For the moment,
 She is lifeless and void.
The two was one
In reverse mitosis. 

He divided the “light from the darkness,” 
And “the waters from the waters”—
Just as 
He divided the “day from the night.”  
And the audience applauded
As 
He tipped 
His hat and bowed.
Division is divine, and so is 
God.
God the Great,
Part magician and part mathematician: 
Equal Houdini and Hardy,
And the next phase begins.




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